SCRIPT: Betsey Returns to the Island

Author’s Note: This was originally written in October 2018. I didn’t publish it because assholes were causing me a lot of problems at the time. Also, I’m not sure where to go with it. Should I continue the series, or should I abandon the Island of Lost Guys forever? Please let me know in the comments! Thank you in advance!


On last week’s episode of “Island Escapes International…”

BETSEY and a REAL ESTATE AGENT are standing on a desert island somewhere off the coast of Belize.

BETSEY: This Island will be perfect for all of my Lost Guys. I will build them a house so grand, they will never want to leave me ever again.

REAL ESTATE AGENT: That will be one million dollars, please.

BETSEY: Shut up and take my money!

REAL ESTATE AGENT: The exchange rate for Americans is really good down here, no?

BETSEY: That’s what happens when terrible first world foreign policy allows third world countries to become havens for money laundering, drug running, human trafficking, and gang warfare.

REAL ESTATE AGENT: No comment.

BETSEY: Enough about politics! I’ve got a house to build.

Three months later, Island Escapes International checks back in with BETSEY to see how her little project is coming along…

The scene opens with a flyover shot of a beautiful, exotic island somewhere in a far away land. Area Codes by Ludacris plays in the background as a private jet circles the island. It lands gracefully in a clearing. The door opens and a staircase appears. A red carpet rolls out.

BETSEY appears at the top of the staircase looking glamorous. She is wearing an emerald green sparkling fringe dress, a glittering headband with an ornate peacock feather fascinator, multiple strings of pearls, and a fur coat. She waltzes down the red carpet in her fabulous high heels. She is followed by 25 of her closest friends. They are also dressed up in 1920’s-themed clothing. BETSEY stops to greet the cameras.

BETSEY: Welcome one and all to the grand opening of The Island of Lost Guys! Here you will find an exotic wonder never before seen anywhere in literature! I’ve searched the world far and wide in search of these rare creatures of all shapes and sizes. Behold! My ridiculous collection of Ex-Boyfriends!

A sign appears on the screen reading: “VERY IMPORTANT DISCLAIMER: The term “Boyfriend,” as used in this story, is defined as any man Betsey may have dated, hooked up with, crushed on, or derived inspiration from by staring at them from across the room. Why? Because it saves a lot of time.”

Cut to shot of a large mansion built in the middle of the clearing. The house is a white Southern plantation-style home with lavender shutters and a row of elaborate Corinthian-style columns out front. A grey slate path leads a trail to the grand front steps. Antique rocking chairs sway out on the front porch. Empty beer cans cover the grass and toilet paper hangs from the bushes. Mardi Gras beads decorate the windows and doors. A flock of plastic pink flamingos hangs out on the front lawn.

BETSEY: Wait a second. Something isn’t right here. This isn’t how I left my house!

BETSEY leads both the group and the camera crew to the front door. BETSEY unlocks the house and throws open the clean glass French doors to reveal a messy, smelly, utterly disgusting man cave. More empty beer cans litter the floor, joined by half-eaten bags of chips, used solo cups, and crushed Mountain Dew cartons. Everyone gasps in shock at the sight.

BETSEY: [laughing nervously] Looks like the guys had another party last night! Ridiculous! I know for a fact I told them I was coming. I don’t know why they didn’t clean up!

BETSEY leads the crew through the foyer and living room into the kitchen, where the mess is even worse. The garbage is overflowing with trash, the counter is lined with liquor bottles, and the counters are stained red from the cheap mixers. A gigantic stack of dishes sits abandoned in the sink, left for dead some time ago. The door to the backyard is slightly ajar, with a dog’s muddy paw prints trailing in and out of the house. An empty keg rolls across the deck like a tumbleweed in the wind. Everyone looks over the scene in horror.

BETSEY: I can’t believe this! How could they leave the house like this when they knew they were going to be on national television?! Don’t they have any idea we’re live?! Men are so ungrateful! You give them a whole house and they trash it! Typical!

Everyone follows BETSEY as she storms up the stairs to the second floor to wake THE GUYS. She raises her voice and lets out the most obnoxious holler they’ve ever heard. All of them simultaneously jump awake, throw on their uniforms, and assemble in the hall. They stand at attention as BETSEY marches up and down the hall to inspect the lot. She immediately notices who is missing from the lineup.

BETSEY: Alright, which one of you measly maggots decided it was a good idea to leave that mess downstairs?! Don’t you realize we’re live on national television here?!

THE GUYS stand together in silent solidarity. Betsey rolls her eyes and marches to the end of the line. There she finds TOM DE LA SALLE. He looks especially determined to play the part of LOYAL GRUNT SOLDIER, a random extra in Scene Three who captures the attention of the director, becomes a crucial supporting player over the course of the movie, and receives his own dramatic death scene in the final act. As a result, he stars in the director’s next five productions, wins multiple Oscars, and quickly becomes an international sensation.

BETSEY: You! Soldier! You seem like you’re looking for a chance to stand out from the crowd! I always know a Star when I see one. Tell me. What do you have to say?

TOM: [stands up tall and salutes BETSEY fiercely] Ma’am, yes, Ma’am! It was the President of the Belizean chapter of the Mu Alpha Tau Zeta fraternity, ma’am!

BETSEY: [confused] I beg your pardon? The Who of the What now?

TOM: The President of the Fraternity.

BETSEY: [eyes narrow darkly] What fraternity?

TOM: The fraternity we all joined in a Secret Ceremony in the basement. He told us it was real jack rabbit blood, but it just tasted like regular old blackberry brandy to me. Never much liked the stuff myself. Always thought it tasted like cough syrup.

BETSEY: [twitching angrily] I never authorized any sort of Greek activity on this island! There is no way this is a respectable, legitimate, registered organization. I’m not dealing with the legal ramifications of this. I’m going to have to shut it down.

TOM: Well, good luck with that one. He’s not going to let it go easily. It was crazy how it all happened. Everything was normal. All of us were just relaxing out here in our hammocks. The one day, HE showed up. Suddenly, he took over everything. [snaps fingers] Just like that.

BETSEY: I know exactly what you mean. What happened next?

TOM: He rounded us up, put us in bunks, and sent us out to do the grunt work. It’s been three years now since he enslaved us, but I never lost hope. Every once in awhile he throws a party to boost moral, but slogging through the day is brutal. We built this house with blood, sweat, and tears. Good men died here. So many good men! So many good god damned men!

TOM breaks down and starts crying dramatically. The crowd stands in awe, completely enraptured by his performance. BETSEY wipes a single tear from her eye.

BETSEY: Beautiful. Just beautiful. That is some real goddamn talent right there!

THE CROWD applauds. BETSEY promptly resumes her angry stance.

BETSEY: And pray tell, good solider, what is the name of this so-called “president” of this obviously fake “Mu Alpha Tau Zeta” fraternity? Is he aware that no legitimate Greek organization contains four letters in its name?

TOM: It was Andrew Darling, ma’am.

THE CROWD gasps.

BETSEY: [fuming] Of course it was.

TOM: As for your second question, I can neither confirm nor deny he has any knowledge of the Greek system. I can only say that he believes himself to be The Emperor of the whole island and therefore controls everything that goes on here.

BETSEY: Well… we’ll see about that, won’t we?

TOM: He’s upstairs in the penthouse if you’re looking for him.

BETSEY: [sarcastically] Of course he’s in the penthouse. Where else would he be?

TOM: I can take you up there if you like.

BETSEY: Lead the way. As for the rest of you, clean up this mess right now! I want this island to shine like the top of the Chrysler building!

THE GUYS: Whatever you say, Boss!

BETSEY: Damn right.

TOM leads BETSEY & COMPANY upstairs to the penthouse. At the top of the stairway they find an elaborate purple and gold door with a sign written in childish crayon scrawl, “ANDREW’S ROOM. NO GIRLS ALLOWED! (EXCEPT 4 MOM).” The door promptly opens and two young college girls come tramping out in the same clubwear they wore to the party the night before. Their makeup is smeared and their hairstyles askew. They stop giggling when greeted with the sight of a full camera crew.

BETSEY: Excuse me, I don’t mean to be rude, but… who the hell are you?

COLLEGE GIRL 1: What’s with the camera crew? Are we on TV right now?

COLLEGE GIRL 2: [cutting in front and taking a selfie in front of the cameras] I’m Ashley and this is Tiffany! We’re Influencers!

BETSEY: Uh huh, yeah. Right. Sure you are. And tell me, ladies, just what are you doing in my house?

TIFFANY: This is your house?

BETSEY: It is indeed my house. Let me guess. Andrew told you otherwise.

ASHLEY: He sure did! He said this was his house and we were welcome to come over to use the pool anytime we want.

BETSEY: [rolling her eyes] Well, unfortunately you have been misinformed. This is my house and you are not to come back here anymore, especially to use my pool. No other women are allowed on this island except for me. It’s my island I bought for my ex-boyfriends. You are not welcome here.

TIFFANY: Oh… sorry!

ASHLEY: We’ll just be going now.

BETSEY: Great. I’ll send one of my minions to get the helicopter. I support your right to party, but you can’t do it in my house. Go back to school and find a real frat house to get wasted in. Thanks again for visiting The Island of Lost Guys. Get home safe!

COLLEGE GIRLS: Thanks!

THE COLLEGE GIRLS slip past the camera crew and disappear down the stairs, stopping to take several selfies on the way down. BETSEY shakes her head and looks back at the door with dread.

BETSEY: All right, let’s see what’s behind Door Number Three!

BETSEY throws the door open to find a wide open studio space. A ring of strategically placed chairs sits in the middle of the room with various instruments strewn about. In the corner rests an old futon with a lump of blankets on top and a golden retriever puppy sleeping in the corner of the bed. BETSEY approaches the futon and pulls off the blankets to reveal a disheveled (early) middle-aged man with messy hair, a heavy five o’clock shadow, and a total dadbod. He is completely naked from head to toe and holding his dick in his hand. He jumps up in surprise and quickly covers himself with the sheet.

BETSEY: Andrew! What is the meaning of this?

ANDREW: [hazily] Oh… um… heyyyy, baby. What are you doing here?

BETSEY: I called three days ago to let you know in advance I was coming! I told you to clean up the house! Why isn’t it done?

ANDREW: Uhhh…

BETSEY: And while you’re at it, would you mind explaining to everyone who those girls were we just met outside your door?

ANDREW: What girls? I didn’t see any girls.

BETSEY: We have them on camera telling us you invited them over here.

ANDREW: I don’t know who you’re talking about. Sorry.

BETSEY: [points to a lime green thong on the floor] One of them left their underwear right there.

ANDREW: Wow, that’s so weird. How did that get there? Is that yours?

BETSEY: [gives him a look of disgust] Seriously? You think I, Betsey Horton, Writer Extraordinaire, would ever wear anything lime green, let alone a g-string? I am a woman with style, class, and taste. I would NEVER wear a lime green thong!

BETSEY throws the thong in ANDREW’S face. He takes a quick sniff of it before tossing it to the floor.

ANDREW: I’m not sure where that came from. Sorry.

BETSEY: [visibly disgusted] Roll the tape!

THE CREW plays back the video footage of TIFFANY and ASHLEY for ANDREW. He looks down at the floor and cringes.

ANDREW: Ohhh… uhhh… right… uhh… those girls. Yeah. Um… They were just here to clean the house.

BETSEY: So you hired a set of maids. I see.

ANDREW: That’s right!

BETSEY: Maids that you were just found in bed with. In a filthy house.

ANDREW: You didn’t find me in bed with them. They were in here cleaning the room.

BETSEY: They certainly weren’t dressed like they were cleaning the room! They were wearing crop tops and mini skirts with six inch heels!

ANDREW: It’s a specialized service. They’re supposed to dress that way.

BETSEY: Which explains why you’re naked, of course.

ANDREW: I’m not naked. I’m wearing a sheet.

BETSEY: [heavy sigh] Andrew, I just want you know I’m very disappointed in you right now. I thought you were more responsible than this. I thought I could trust you to be left alone in charge of the house. Now I see I was wrong. You’ve humiliated me in front of a live audience. Yet again! Thanks for nothing.

ANDREW: Wait! Stop! I can explain!

BETSEY storms out of the room. The cameras linger on ANDREW for just a moment as he calls after her. THE CREW proceeds to follow BETSEY as she walks down the hallway and back to the foyer. She stops at the top of the stairs, takes a deep breath, and turns around. She clears her throat and smiles at the camera as if absolutely nothing is wrong.

BETSEY: Well, it looks like we’ve discovered the main culprit behind the party! Typical men! They really do believe deep down in their primitive little lizard brains that women are in charge of the household chores! We’ve clearly got a lot of work to do here, so I guess that means it’s time for a commercial break. We’ll be back after these somewhat questionable messages from our sponsors.

COMMERCIAL BREAK

To be continued…

SCRIPT: Mad Dog’s Associations

INT: BLOODY MARY’S BAR – DAY

Mad Dog is sitting at the end of the bar having a drink when Sam comes over to wash the dishes.

Mad Dog: So… about that Super Bowl Party…

Sam: Oh sorry, Pup, but you’re not allowed to come anymore.

Mad Dog: Why not?

Sam: Because of your “associations.”

Mad Dog: Associations? What associations?

Sam: You know… your associations.

Mad Dog gives Sam a weird look and thinks it over for a moment. Finally, he has a realization.

Mad Dog: It was Billy the Biker Guy, wasn’t it?

Sam: What?

Mad Dog: I used to roll with the Bandidos, you know. That was back when I went to Barber College in Sioux City.

Sam: Um… no. Your other associations.

Mad Dog: [thinks it over again] Oh, you mean Doug. Doug the Drug Dealer. I used to sell mattresses for him back in the day. He still owes me money.

Sam: No.

Mad Dog: It was that damn Indian, wasn’t it? Joe Three Deer! He’s always getting me into trouble. He’s the reason I’ll never go back to the Rez. It’s been thirty years and he’s still trying to kill me!

Sam: No, no, no. I meant your OTHER associations.

Mad Dog: Ohhhh… now I see. It was that set of blonde twins I married in Vegas.

Sam: What?

Mad Dog: Yeah, they were my cousins.

Sam: Huh?

Mad Dog: It was a fast wedding.

Sam: Uhhh… no.

Mad Dog: Well then, I have no idea who you’re talking about.

Sam: I’m talking about Betsey. Betsey Horton. The Writer Extraordinaire. You’re guilty by association. Therefore, you’re disinvited to the party. I don’t want you passing information to her about what goes on here, which is a really dumb thing to say because literally nothing is going on here at all. I know that because I’m bored. So bored. So, so, so, so, so bored. That’s why I’m using you to start this shit with her again. Because I’m bored.

Mad Dog: Really?

Sam: Yeah, really.

Mad Dog: [staring at him in disbelief] We don’t talk about you like that.

Sam: It doesn’t matter. You’re guilty by association. Also, I am bored. Did I mention the fact that I’m bored? Because I am really bored.

Mad Dog gives Sam the once over and shakes his head. Then he finishes his drink and gets up to leave.

Mad Dog: You know, this bar used to be a really great place. Now it’s just a bunch of fucking yuppies.

Mad Dog leaves the bar and wanders over to Betsey’s house, where he finds her writing about a bunch of people who have nothing to do with South Dakota at all.

Mad Dog: You’re not gonna believe what just happened to me at Bloody Mary’s.

Betsey: Let me guess. Someone was a douchebag to you because you have the nerve to be seen out in public with me.

Mad Dog: Yeah.

Betsey rolls her eyes, yawns, and goes back to her writing.

Betsey: Well, if they don’t want me writing about them like they’re a bunch of petty assholes, then they should really stop acting like a bunch of petty assholes. Maybe try apologizing instead?

Mad Dog: Ehhh… fuck ’em. Let’s go to a dive bar in some random small town nearby. I’ll introduce you to some real people.

Betsey: I’m already there, fam.

They hop in the car and drive over the bridge to Nebraska.

The End

SCRIPT: Lisa

Once upon a time, Bloody Mary’s Bar was owned by a woman. This woman is the most badass motherfucker in all of the bar’s history. This is the completely made-up version of her life story, as told by a writer who totally embarrassed herself after waiting years to finally meet this person.

EXT: Outer Space. A lone spaceship hurdles towards Earth at an alarmingly fast speed. It enters the Earth’s atmosphere and heads straight for South Dakota. The subsequent montage of scenes unfold as the Narrator describes them.

Narrator: A long time ago, in a galaxy not-so-far away, an alien baby was sent to Earth to collect data on human beings. A little girl named Lisa saw the bright lights in the sky and watched in awe as the mysterious unidentified object in the sky crash landed in a field near her house. Letting her curiosity get the better of her, Lisa wandered out into the field to investigate. There she discovered the wrecked space ship with a tiny baby inside. She took the baby home to her family, who adopted him and raised him as one of their own. From that day on, the alien vowed to someday return the favor.

Thirty-some odd years later…

A white Cadillac with chromed-out spinners on the wheels speeds down a dirt road towards an abandoned farmhouse. Three men in cowboy hats stand outside waiting. The Cadillac pulls up in front of them. Out steps a young woman dressed in all black carrying a suitcase. She flips her hair back as she adjusts her designer sunglasses. She opens the suitcase to reveal the cash inside.

Lisa: Is that enough for you boys?

The men look at each other and shrug.

Man 1: It’s more than enough. Unfortunately, you are a woman. Therefore, you will never be good enough to run Bloody Mary’s Bar.

Man 2: Why don’t you just get married and have babies like a real woman is supposed to do?

Man 3: Yeah!

Lisa: What the hell? I thought we had a deal! You said you respected me as an equal! Why are you backing out now?

Man 1: Well, we talked it over with a bunch of other men and all of us agree we’re scared of women with power and influence, especially you.

Man 2: The thing is… Bloody Mary’s is a working man’s bar. If we sell it to you, you’ll destroy the integrity of it for future generations to come. That’s why we can’t sell you the bar. We just don’t trust a woman to run it. You might let your crazy, irrational lady emotions and stuff get in the way.

Lisa: Wow. What a bunch of bullshit!

All three men suddenly pull guns on Lisa. She gasps in horror as she realizes she’s been betrayed.

Man 1: We’re sorry, but we can’t sell you the bar.

Man 2: We still want the money though. That’s why we lured you out here to an abandoned farmhouse where no one will hear you scream.

Man 3: Now you will die.

Dramatic music plays as the men start to close in on Lisa. Luckily, right at that moment, the alien appears to save the day. He jumps out of the trunk of the car and shoots each man in the head. Lisa grabs the suitcase full of money and gets in the passenger seat of the car. The alien throws a timed explosive device at the farmhouse and jumps into the driver’s seat. He puts it in reverse, does a donut, and takes off at full speed. They are less than a mile away from the farmhouse when in explodes into flames. Lisa clutches the suitcase to her chest and takes a deep breath as they make their escape.

Lisa: Thanks for rescuing me, Owl. I shouldn’t have come out here alone. I’m glad you showed away in the back to make sure I was safe.

The Owl: Anytime, sis. It’s the least I could do considering the fact that you saved my life once too.

Lisa: But the bar! What are we going to do about the bar?

The Owl: It’s already taken care of.

The Owl points to the glovebox. Lisa opens it and takes out a stack of documents. Everything appears to be in order. All she has to do is sign.

Lisa: Where did you get these?!

The Owl: I have my ways. And don’t worry about the murders. We’ve already taken care of those too.

Lisa smiles at him gratefully as they drive off into the sunset. Three weeks later, the body of the bar’s previous owner is found in a canyon somewhere out in Colorado, half-eaten by wolves. To this day, they’re still don’t know if it was a murder or a suicide.

The End

STORY: Place Your Bets

One not so special afternoon, Sam and The Line of Death are all huddled around the end of the bar pouring over pages of stats. Betsey is sitting on the opposite side of the bar watching them with mild interest.

In spite of her better judgment, her curiosity ultimately gets the better of her. She wanders over to the opposite side of the room where all of them are sitting and takes a seat beside Jaimie. All of the old men turn around and look at her suspiciously.

“What’s up, guys?” Betsey asks pleasantly. “I thought I’d stop being anti-social for once and come join the party.”

The Line of Death continues to glare at her in silence. Betsey flips her hair back and smiles cheerfully, determined to make herself some new friends.

“What are you guys working on so diligently over here?”

“It’s stats,” Sam says quickly, holding up a sheet with multiple rows and columns. “For baseball.”

Betsey looks at the sheet of paper and rolls her eyes with disinterest.

“Numbers,” she grumbles. “I’m not so good at those. I’m much better with words, as I’m sure you all have noticed. I still like baseball anyway, especially with the amount of hot beefcakes out there playing the field.”

Sam scoffs and tosses his head back. The expression on his face is that of pure jealousy.

Beefcakes,” he mutters under his breath. “I’ll show you a hot beefcake…”

“What?”

Sam snaps his head back to attention.

“Huh?”

Betsey shakes her head and turns back to the Line of Death. Their ice cold stares are unwavering.

“So…” she asks casually, “Are you guys taking bets, or what?”

“It’s a one hundred dollar buy-in,” Howard suddenly pipes up. He is short, bald man with a loud, raucous, unforgettable laugh. “We’re betting on whose going to win the game on that TV right over there.”

Betsey turns around and looks at the TV he is pointing to. Then she shrugs to herself and takes out her wallet.

“I’ll give you ten dollars,” she says, slapping her money on the counter. “I know it’s not much, but it’s the best I can do.”

“You can’t join the game if you can’t afford the buy-in,” Harold says very matter-of-factly. He is a tall, skinny man with a penchant for Hawaiian shirts. He pushes up his glasses and clears his throat. “No buy-in, no bets.”

Sam looks back and forth between the group of cranky old men and the spirited young woman who doesn’t quite seem to understand her place. He suddenly sees a major opportunity sitting right in front of him.

“I can always lend you the money for the buy-in,” Sam says casually. He takes out a roll of cash from his pocket and waves it in Betsey’s face. She looks down at it and raises her eyebrow. She too can suddenly see the obvious opportunity there.

“I’m not in the business of borrowing money,” she says, looking back up at Sam. “But I’d be more than happy to work for it.”

“And just what to do you plan to do to earn it?” he asks.

“Whatever you want me to do.”

Sam puts his hands on the counter and leans in closer to her. He looks her up and down with a sneaky little smirk on his face. Betsey sits up straight and leans in too. When their eyes meet, everyone can feel the heat of the spark passing between them. Howard and Harold roll their eyes as Jaimie shifts in his chair uncomfortably.

“In that case, you can meet me in my office later for a private meeting,” Sam says. “We can discuss your future at the company. Perhaps work out some kind of mutually beneficial arrangement?”

“A private meeting, huh? I think I like the sound of that.”

“And I think you’re really gonna like working for me.”

“Is that so?”

“It is. You’ll find that my employees always get treated very well around here. Especially when they behave themselves, listen carefully, and obey all of my orders. Do you understand me?”

“Whatever you say, Boss,” Betsey says in her most flirtatious voice.

“That’s what I like to hear.”

Sam’s eyes sparkle down at her. She is just about to respond when Howard clears his throat loudly.

“Can we can get back to the game, please?” he asks in his grumpiest voice.

Betsey looks back at the Line of Death as Harold holds out his hand expectantly.

“Your buy-in, please.”

Sam takes a wad of cash from the money clip and slaps it down on the counter. He looks back at Betsey with a devilish grin on his face. Harold takes the money and puts it in a little bag. Howard makes a quick note on the spreadsheet.

“Team, please.”

Betsey turns around and looks up at the TV. She thinks about it for just a moment before deciding to go with her gut instinct.

“The blue one,” she says confidently.

All of the men around her look at each other and immediately burst out laughing. Sam shakes his head and chuckles softly at her.

“But they’re the worst team in the league!” Jaimie exclaims. “They haven’t won a single game all season!”

“Something tells me their luck is about to change.”

Jaimie folds his arms and looks at Betsey in disgust.

“Look, you can do whatever you want. You have the right to lose. I’m just saying they’re not going to win. It’s statistically impossible. All of us have been pouring over this stuff for years. None of us placed their bets on them. You’re making a big mistake if that’s what your decision is. Sam’s gonna be out a lot of money now because of you.”

“It’s not that much money,” Sam says calmly, watching the exchange with amusement.

“I don’t care about a bunch of spreadsheets,” Betsey snaps. “My gut instinct tells me they’re going to win.”

“Final answer?” Howard asks.

“Final answer.”

The Line of Death chatter quietly among themselves as Howard writes down the bet. Everyone takes a shot a LeRoux to seal the deal and promptly return to watching the game.

Sometime in the bottom of the ninth, a rookie wild card batter hits a home run with all the bases loaded. The four-point run immediately puts them in the lead. The opposing team has no chance to win their lead back.

The Line of Death stare at the TV in shock as the crowd goes wild and the team rushes the field to celebrate their first win of the season. They slowly turn their chairs to see Betsey’s reaction. Much to the their chagrin, she isn’t even watching the game at all. She is simply there writing in her notebook, lost in her own little world. Sam chuckles at the sight as he stands there on one leg and takes it all in.

“Your team won,” Howard says loudly.

Betsey looks up from her notebook and looks around the room in confusion.

“What team?” she asks obliviously, as if she has already forgotten the exchange from just a few hours prior.

“The team you bet on,” Sam reminds her. “The one we all said was going to lose.”

“Oh!” Betsey sits up and smiles in surprise. “See? I told you their luck was about to change! So how much did I win?”

Sam takes the envelope from Harold and counts the cash inside. He sets aside two hundred dollars for himself and hands the rest to Betsey.

“Looks like a thousand dollars,” he says pleasantly. “Congratulations.”

“Wow!” Betsey says, looking down at the envelope in delight. “It’s been such a long time since I’ve had this much money to my name. I think I’m going to go get my nails done to celebrate!”

She promptly stands up and shoves her notebook back into her bag. She motions for Sam to pour them all another shot of LeRoux and raises her glass high above her head.

“Nice doing business with you, boys!” Betsey says cheerfully, slamming down the shot and skipping out of the bar. “See you all tomorrow!”

The Line of Death glares after her as the front door slowly closes behind her.

“She can’t do that!” says one. “That’s unfair!”

“Yeah! She swindled us!” says another. “She must have had some kind of information beforehand that we didn’t.”

“We’ve been robbed!” says the third.

Sam shakes his head and rolls his eyes.

“A bet’s a bet,” he says. “She won that money fair and square. Besides, she’s a penniless Writer Extraordinaire. She doesn’t have a steady cash flow like we do. Just let her go out and enjoy herself for once.”

All of the old men grumble and go back to their spreadsheets, annoyed that they’ve been bested by a woman once again.

The End

SCRIPT: High School Reunion

Betsey has recently been invited to the ten-year-reunion at her public high school. In spite of the fact that she switched to private school halfway though, she still grew up with all of these people and wanted to see them again. Unfortunately, the scheduled date is inconvenient for anyone whose family no longer lives in the area. In order to make herself feel better about missing the event that someone was kind enough to invite her to anyway, she decides to imagine how it would go if she was actually present.

First, Betsey goes to Andrew. She decides to bring up the subject when he is most amiable to granting requests. That is to say, when he is lying in bed naked and half-asleep after several rounds of hot sex.

Betsey: Darling, will you buy me a plane ticket to D.C. so I can go to my high school reunion?

Andrew: Why would you want to go to your high school reunion? I thought you hated high school.

Betsey: I did, but not all of my classmates were terrible. Some of them were really cool. Those are the people I’d like to see again. How often are they all going to be in the same room together? I mean, these are the people I grew up with, Andrew. I’ve known them my whole life. Facebook is cool and all, but it’s not the same as hanging out in person.

Andrew: Yeah, but everyone knows the cool people are too cool to go to those things. They moved on with their lives and never looked back.

Betsey: True, but I still want to go.

Andrew: What about Single White Female? I mean… Taylor. Aren’t you worried she’ll be there?

Betsey: Oh, I didn’t even think about that. Yeah, that would be awkward AF, especially since she named her baby Merrick after my nickname for my Vampire ex-boyfriend. But, it’s whatever. I still think it would be fun to go. Just so I could walk away with a story to tell.

Andrew: When is it?

Betsey: Two days before Christmas.

Andrew: Wow, that is really shitty planning.

Betsey: Yeah, I know. But you know how hometown people are. They don’t consider anyone outside of their own little insular group.

Andrew: True.

Andrew thinks about it for a moment.

Andrew: Does it really mean that much to you?

Betsey: Yes.

Andrew: Okay. I’ll buy you a plane ticket. But you owe me lots of hot sex in return.

Betsey: Done!

Andrew buys Betsey her plane ticket and puts her up in a Holiday Inn located within walking distance of a Potbelly’s, Starbucks, and Metro stop. On the evening of the reunion, Betsey gets dressed up and goes to the unbearably douchey bar the reunion is being held at. Betsey orders a glass of wine and starts circulating around the room.

Rich White Girls: We’re just as bitchy and cliquey as we always were. You can’t sit with us!

Rich White Boys: We’re just as douchey and superficial as we always were. Also, you got hot!

Cool People: We’re just as cool as we always were. We’re doing interesting things with our lives. We’re happy you came all this way just to see us. What about you, Betsey?

Betsey: I’m the same as I always was. I’m still sitting alone in the corner, writing in my notebook, causing trouble, and pissing everyone off. The only real difference is that I got hot and dress a lot better now.

Cool People: Haha, oh Betsey! Some things never change!

High School Crush: Hey, I never paid attention you ever, except to make fun of you along with everyone else! You got really hot! Do you wanna go bang?

Betsey: No, sorry, I can’t. My boyfriend wouldn’t like it. He gets really jealous.

High School Crush: Isn’t your boyfriend married with kids?

Betsey: [laughs awkwardly and puts on a huge, fake, plastic grin] Uhh… It’s complicated.

High School Crush: Doesn’t sound that complicated to me.

Betsey: Well, I tried to reject him multiple times but he was very persistent. He just kept showing up and wouldn’t take no for an answer. Finally I just gave in and stopped resisting.

High School Crush: That sounds messed up.

Betsey: It’s not so bad. It’s just… not exactly the situation I was hoping for.

High School Crush: Whatever. You should have a drunken, meaningless, totally unfulfilling one-night-stand with me instead. I won’t even take you out for brunch tomorrow morning. I’ll just leave right after we’re done.

Betsey: Uhh… no thanks.

Betsey goes back to the bar and orders another glass of wine. She continues circulating and catching up with the people whose lives she genuinely cares about. After she finishes her second glass, she orders another one and decides to confront Taylor. Everyone in the room is watching in excitement. They love a good public fight.

Betsey: So, how’s your baby that you named after my ex-boyfriend?

Taylor: [defensively] I DIDN’T STEAL YOUR NAME. I JUST REALLY LIKED IT, OKAY? IT’S NOT LIKE IT’S WEIRDLY UNCOMMON OR ANYTHING!

Betsey: You are the same as you always were. First you fuck around with my first ex-boyfriend Maverick behind my back, then you pursue my teacher/mentor, then you follow me to college and major in the same subject, then you go after my vampire, then you pretend you’re a writer and start a little blog. After I dropped out and you had no one to follow anymore, you decide you’re obsessed with another guy, obsessively stalk his ex-girlfriend’s social media and blog for years, literally become her, and then marry the guy! And now you’re naming your child Merrick after my Vampire ex-boyfriend?! YOU KNEW THAT WAS HIS NICKNAME. What the fuck is wrong with you? Do you even have your own personality?

Taylor: I’M NOT COPYING YOU. YOU’RE SUCH A FUCKING BITCH. I JUST HAPPEN TO LIKE ALL OF THE SAME THINGS RIGHT AFTER YOU’VE EXPRESSED AN INTEREST IN THEM. I’M THE REAL VICTIM HERE BECAUSE I WAS JEALOUS OF YOUR PERFECT LIFE.

Betsey: Ah, yes. The Perfect Life where I had a nervous breakdown, tried to kill myself, stayed in a psychiatric hospital where I was basically experimented on, and had to change schools. But I had forest green mini van and a credit card that I abused the shit out of, so my life was Perfect! Yeah, you’re still the same fucking crazyass bitch you always were. Like, you are literally The Single White Female. It’s creepy AF. So, I’m just going to tell you this straight-up right now: If you ever come to my town looking for my Andrew, my bar, or any of the other people in my stories, you are going to find yourself in a world of pain. Stay in your crazy little world of delusion and leave me the hell alone. You are not welcome in South Dakota. Do you understand me? Now kindly fuck off and die.

Taylor starts crying and runs into the bathroom. Everyone in the room cheers. Betsey finishes her wine and looks at the crowd.

Betsey: Well, I’ve had just about enough of this. Who wants to get stoned and go to Bob & Edith’s?

A small group of cool people catch a Lyft with Betsey to the next location. They party all night and get brunch in the morning. The next afternoon, Betsey boards her flight back to Omaha. Much to her surprise, Andrew is waiting for her at the airport.

Betsey: What are you doing here?

Andrew: I missed you.

Betsey: It’s Christmas Eve. Aren’t you supposed to be with The Family?

Andrew shrugs, looks at the ground, and shuffles his feet.

Andrew: Yeah… I mean… you know how it is.

Betsey looks at him sadly but takes his hand anyway. They walk through the terminal together.

Andrew: So how was your reunion?

Betsey: Oh, you know. The more things change, the more they stay the same.

Andrew: That bad, huh?

Betsey: [shrugs] Not really. It was actually pretty fun. I’m really glad I went. It’s always worth it to go back there just to eat at Bob & Edith’s again. I’m just happy to be home.

Andrew: Maybe next time you can bring me.

Betsey: Okay, but you have to let me drive. You can’t handle the traffic out there. Trust me.

Andrew: I believe you.

Betsey: So what should we do now?

Andrew: Do you wanna get a hotel room and watch HGTV?

Betsey: Definitely.

They leave the airport and head on over to Downtown Omaha.

The End

SCRIPT: That Awkward Moment…

Betsey is standing onstage in front of a huge audience, ranting about what a bunch of bullshit it is that she got kicked out of the bar again.

Betsey: And then I told the Owner he could suck my dick!

Suddenly, the audience gasps. They give her a look like someone important has just appeared behind her.

Betsey: Let me guess. He’s standing right behind me, isn’t he?

The audience shake their heads nervously. Betsey turns around slowly and sees Andrew’s Mom standing right there with a huge smile on her face. Betsey’s eyes widen in shock. Andrew’s Mom titters at Betsey and shakes her head. She walks up to Betsey and pats her on the back.

Andrew’s Mom: You tell him, sweetheart.

Betsey: Thanks, Mom.

Andrew’s Mom: Anytime, sweetie.

She smiles again and walks out the door.

The End

SCRIPT: Commercial Break

Everyone is sitting at Bloody Mary’s Bar minding their own business, except for Betsey. Suddenly, she looks up from her notebook and right into the camera at the audience.

Betsey: We interrupt this episode of Betsey at the Bar to bring you a special message from our sponsors.

The scene changes to a shot of Andrew lounging on his couch watching tv in a PBR t-shirt and a ratty old pair of basketball shorts. His hair is messy and sticking out from the side of his head. Lying on the couch next to him a cute little golden retriever puppy named Sam.

Andrew: Hey Sam-Sam! Do you want a treat?

Sam jumps off the couch and wags his tail enthusiastically.

Andrew: Can you do the special trick I taught you? Can you go get Daddy a beer?

Sam barks enthusiastically and runs out of the room. The camera follows him into the kitchen, where he opens the door to the refrigerator and picks up a pounder of PBR with his mouth. He shuts the door again and carries it back into the living room where Andrew is sitting.

Andrew: Good boy, Sam-Sam! You get a treat!

Andrew takes the beer, tosses Sam a piece of peanut-butter flavored bacon, and smiles at the camera.

Andrew: It’s PBR, the Official Sponsor of Bloody Mary’s Bar!

Sam: Bark bark!

The commercial ends.

The scene changes to an old gas station where Teen Angel is fixing up a car. He is covered in grease and dirt. After working steadily-but-unsuccessfully for a long time, he sighs heavily, puts down his tools, and walks over to a mini-cooler nearby. He pulls out a bottle of Miller High Life, pops the cap, and looks at the camera.

Teen Angel: Miller High Life. The only REAL beer for REAL, hardworking, American men like me.

The commercial ends.

The scene changes to a 1950’s-style suburban kitchen with a cute little brunette housewife setting the table for dinner. She is wearing a nice dress, a frilly apron, and high heels. Her hair is perfectly done up and she has on a full face of makeup. Duke comes home wearing a suit and tie. He hangs his hat up by the door and walks into the kitchen.

Duke: Honey, I’m home!

Duke’s Wife: You’re just in time for dinner, darling. I made your favourite: meat and potatoes with a can of Schlitz on the side.

Duke: Where are the children?

Duke’s Wife: They’re already in bed. I know how you feel about children, honey. They should be neither seen nor heard. That’s why I wanted it to be just us for tonight. I even bought a brand new set of lingerie.

Duke takes the beer and sits down the table. He takes a sip of his Schlitz and smiles happily.

Duke: Ahh, this is the life for me.

Suddenly, he hears somebody calling his name off in the distance. The scene goes blurry as Duke’s daydream dissipates into reality. He finds himself standing in a modern-day suburban kitchen wearing a frilly pink apron. The children are screaming loudly and running around everywhere. He looks down at the pan in front of him and realizes it’s on fire. Suddenly, his wife appears behind him wearing a designer pant suit.

Duke’s Wife: Let me guess. You burned our dinner. Again.

Duke: I’m sorry. It was an accident!

Duke’s Wife: Here I am, out there in the world, working hard, slaving away all day so we can have a good life, and you can’t even have dinner ready when I come home?! What good are you?!

Duke rolls his eyes and goes to the refrigerator to get a can of Schlitz. He raises it up in an imaginary toast as his wife stands there staring at him in utter disbelief.

Duke: Don’t worry, darling. I didn’t burn the beer!

The commercial ends.

The scene changes to Betsey sitting in the bar with a glass of champagne and her notebook. She pours one out for Dubs and orders a Miller High Life instead. Teen Angel serves it to her with a smile on his face. Betsey looks at the camera and winks.

Betsey: I don’t always drink champagne, by when I do, I drink the Champagne of Beers.

Teen Angel: That’s what I’m saying!

The commercial ends.

Betsey: And now back to our regularly scheduled programming.

Betsey returns to writing in her notebook while her characters return to tending after the bar.

The End

SCRIPT: Mad Dogz Titty Tourz

EXT. Bourbon Street, New Orleans — Afternoon

Two frat boys are standing on the corner drinking hurricanes.

FRAT BOY 1: Bro, this is totally lame. We’ve hit every bar on this street and it’s only four o’clock. I wish we knew where we could find a strip club.

FRAT BOY 2: I checked online but the only places I can find are in shady parts of town. If only we had a guide. A local who could take us there without getting us into any trouble.

Luckily, right at that moment, an old man approaches them on the street. He is bald and wearing a tropical-themed shirt and Raybans. He is carrying a plastic to-go cup and smoking a cigarette. He smiles at them with a yellowed, toothy grin. He is Mad Dog.

MAD DOG: You guys wanna see some titties?

FRAT BOYS: Yeah!

MAD DOG: Well, why didn’t ya say so? I know where to find all the best tittie bars in town. I can show you around… for a small fee, that is.

FRAT BOYS: How much?

MAD DOG: A hundred dollars.

FRAT BOY 1: A hundred dollars?! That seems kind of steep.

MAD DOG: These streets are dangerous!

FRAT BOY 2: Yeah, how do we know you’re not conning us out of our money here?

MAD DOG: Tell ya what. I’ll take you around and show you all the bars, and we’ll settle on a fee at the end. Now that’s fair, am I right?

FRAT BOY 1: Yeah, I guess you’re right.

FRAT BOY 2: Well take it.

MAD DOG: Alright, now just follow me.

The Frat Boys follow Mad Dog around the corner to where his vehicle is parked. There they discover a beat-up, old, orange bike with a cart chained to the back of it. On the side of the cart is a sloppily-painted sign reading “Mad Dogz Tittie Tourz.” Sitting inside of the cart are two medium-sized dogs.

MAD DOG: Now this here is Mama and Daisy. Say hello, girls.

The dogs bark at The Frat Boys excitedly and wag their tales.

FRAT BOY 1: Uh, are these animals dangerous?

MAD DOG: Not at all! They’re the friendliest gals you’ll ever meet. Now come on! Hop in! We’ve got quite the ride ahead of us.

FRAT BOY 2: I believe it.

In spite of their better judgment, The Frat Boys decide to hop on Mad Dog’s ride. First, he takes them back down Bourbon Street.

MAD DOG: Here we have the tourist district. There’s a couple strip clubs along here and there, but they’re mostly pretty tacky. You’ve probably already seen these and are looking for something more, which is why you’re taking my tour.

He bikes up and down the back streets until they start down St. Charles Avenue.

MAD DOG: Here we have the descendants of the Glorious Old Money South. The men in this neighborhood can usually be found out st expensive dinners in exotic locations with their favourite high-end escort. Women who work in this income bracket have a lot to offer an old-fashioned gentleman of wealth and power. They wear the best styles, speak multiple languages, and hold a degree from an accredited institution of higher education. The men are usually married but like to keep a younger woman in the side to make themselves feel young and free again. We call these men Sugar Daddies, and their ladies Sugar Babies. Naturally, some men do prefer a younger “boy toy.” It is also a common practice for rich women to keep younger male escorts, or “fancy men” in the same patronage-style as men.

Mad Dog suddenly turns his bike down a random side-street. As he bikes along, the houses on the block turn from beautiful mansions to uninhabited, broken-down homes. Entire blocks are flattened and destroyed. There is an eerie silence about the place. They turn down the corner and see a skinny homeless woman with a sunken-in face. Her hands are shaking and her voice is strung out. A man holding a gun is chasing after her, threatening to kill her.

MAD DOG: Back in these neighborhoods, some women don’t have a choice. There was nothing before the Hurricane, and even less after that. She, like many before her, turned to drugs like crack and meth with no other options before her. She ended up with this creep who abused her and sold her on the street. He took all of her money, beat her, and raped her. Now that she’s trying to escape, he is going to kill her.

They turn away just as they hear a gunshot and a woman’s scream in the distance. They continue on into another random neighborhood and pass by some ordinary-looking buildings. A massage parlor, a nail salon, an indescript boutique, and Asian-fusion restaraunt.

MAD DOG: Here we have more of an Eastern flavor for your liking. These girls are imported all the way from Thailand. They don’t have any documentation, of course. They’re locked up in the basement and sold as slaves. They keep the operation a secret by laundering money through various legitimate business operations. I heard they even have little kids available here too.

The Frat Boys look at each other solemnly. This wasn’t the experience they signed up for, but they learned a valuable lesson just the same. They return to The French Quarter a little less eager to objectify women. When the tour is over, they each give Mad Dog a $100 bill.

FRAT BOY 1: Thanks for the Tittie Tour, Mad Dog. I sure did learn a lot.

FRAT BOY 2: Yeah. In the future I think I’ll be a little less judgmental of sex workers and more respectful of women as a whole.

MAD DOG: Well, thanks boys! I sure am glad you enjoyed yourselves! Now get on outta here and go get yourself some Shrimp Creole!

The Frat Boys bid Mad Dog farewell and disappear again. Mad Dog gets back on his bike and returns home. “Home” is a historic house with a lot of old-world charm and character. There he finds Andrew sprawled out on the balcony in sunglasses with no shirt on. Sam, the golden retriever puppy, is lying in the exact same position on the ground next to him.

MAD DOG: Well look who’s here!

ANDREW: [mumbling irritably] What? I’m retired.

Mad Dog rolls his eyes and walks inside the house. There he finds a petite blonde lady in high heels, a dress, and a pink apron. She is Stella. She holds up a plate with little turkey sandwiches cut into triangles. Mad Dog takes one off the plate and smiles gratefully at her.

STELLA: Hello Grandpa. Did you make any money out on your tours today?

MAD DOG: I made about a thousand dollars.

STELLA: Wow! You’re doing pretty well then. Who knew you’d fit into the hustle and bustle of New Orleans so well?

MAD DOG: These rich kids. They don’t know nothing about the world. All I gotta do is show them the truth and they learn right quick enough.

STELLA: Well, I’m very glad to hear it.

Stella takes the plate outside to where Andrew is relaxing.

STELLA: Hey, are you hungry? I made you some sandwiches.

Andrew sits up and takes off his sunglasses. He takes a sandwich off the plate and stuffs it into his mouth greedily. Thankfully, he waits until he has finished chewing to speak.

ANDREW: Just famished, thank you. Who knew retirement was so exhausting?

STELLA: Oh, did you have another long, hard day of existential crises?

ANDREW: All I wanted was a life with no worries or responsibilities. I didn’t realize I’d end up reflecting on all of my choices this much. I’m just like sitting here asking myself all the time, “Is this really it? Is this really all there is to life?” If so, why am I so unhappy? I have everything in the world that anyone could ever ask for. Why do I feel like there’s still so much more?

STELLA: Poor darling. What can I do to help your predicament?

ANDREW: Just be my escape, darling. I don’t know what I would ever do if you weren’t here to make me feel young again.

STELLA: Aww, thanks. That’s sweet, but I know you’re only saying that so I’ll make you another sandwich.

ANDREW: Yeah.

STELLA: Okay, I’ll go make you another sandwich.

Stella goes back into the kitchen to make Andrew another sandwich.

The End

SCRIPT: The Untimely Death of Betsey Horton, Writer Extraordinaire

Betsey is sitting at the bar with Mad Dog when they get into an argument. Betsey is annoyed so she gets up and decides to move over to the opposite end of the bar where The Line of Death usually sits.

Betsey: Oh, woe is me! I really am an old lady now! I’m on the Line of Death and everything!

Howard Hughes looks at her as if she has just uttered the most offensive, scandalous thing he’s ever heard.

Howard Hughes: Just who the hell does this girl think she is?

Betsey: The Line of Death, The Line of Death. What does it really mean to be on The Line of Death? Let me think about it for a moment. Hmm… you know, if I could pick a way to die, it would be eaten by lions while on safari. Why? Because it would make an awesome story, of course!

Howard Hughes: What did she just say?

Betsey: Just think! Everybody would be talking about it for weeks! Months! Years! Maybe even centuries! Yeah, centuries!

Howard Hughes is rendered completely speechless. Andrew smiles at Betsey and sighs dreamily. She winks at him and he winks back. They both know exactly what the other is thinking. Betsey gets up and leaves for the day. When she isn’t seen or heard from in a couple weeks, everyone starts to get worried.

Duke: Not that I really care or anything, but has anyone seen Betsey lately? I noticed she hasn’t been around. Not that I was looking, of course. I only noticed she was gone because it seemed a lot… quieter… around here than usual.

Andrew stands over the cash register and smirks to himself as he rubs his hands together mischeviously. At long last, the opportunity he has been waiting for has arrived. He turns around and puts a solemn look on his face.

Andrew: Yeah, didn’t you hear? Betsey Horton died!

Duke: What? How?

Andrew: She was eaten by lions!

Duke: Oh come on, Andrew. Don’t put us on.

Andrew: No, it’s true, it’s true. I was there! I saw the whole thing! It was awful! There was blood everywhere!

Duke: That doesn’t make any sense. How was she eaten by lions?

Andrew: She was on safari and she got too close to the lions so they ate her. I mean, they really just ripped her apart. At the end the hyenas came in. Once they were done, the vultures picked her off. Then all the the flies came and laid their eggs. It was super gross. There were maggots crawling all over the place. Then her body decomposed and became the grass. And then the antelope ate the grass and the lions ate the antelope.

Duke: What?

Andrew: Yeah. But like, that’s just nature, you know? The Circle of Life and all that. Yeah, I learned about it when I watched The Lion King with my daughter. It was so deep, you guys. It really affected me a lot and just, like, changed my whole perspective on things. It’s sad that she died, but she always wanted to go on safari, and she did say she would choose to be eaten by lions, so I mean, at least she lived her dream. How many of you can say you died living your dream? No one, because we’re all still sitting here alive. Think about that.

Everyone in the bar stares at Andrew in shock. They believe him. They actually, really, truly, deeply in their hearts believe him. They all sit there in silence looking super sad. Nobody knows what to say. Suddenly, Howard Hughes steps up to the plate. He buys everyone in the bar a shot of LaRue.

Howard Hughes: I say we make a toast to Betsey Horton, Writer Extraordinaire! To the bravest woman on The Line of Death!

Everyone in the bar drinks. There’s a moment of silence. Duke looks absolutely torn apart.

Andrew: What is it, Duke?

Duke: I just feel so guilty! I made up all these lies about her and told them to anyone who would listen. I was so mean to her all the time! But really she wasn’t so bad all along. I wish she was here now to wake me from my slumber with her loud, obnoxious laugh.

Andrew: Aww, that’s very sweet of you, Duke. I’m sure if Betsey was here right now, she would appreciate the sentiment.

Mad Dog: Oh will you guys just shut the hell up already? You’re nothin’ but a bunch of cry babies! Hey bartender, get me another beer, would ya?!

Andrew: Don’t you have anything nice to say, Mad Dog? Betsey was your friend!

Mad Dog: Meh. I’m no good at this stuff. I’d rather just drink a beer and smoke a joint instead.

Andrew: Fair enough. I can’t say Betsey would disagree with you there.

Suddenly, Betsey Horton walks into the bar, completely alive and 100% intact. Everyone turns around and stares at her in shock. They look like they’ve all just seen a ghost.

Betsey: What are you guys staring at? Is there something on my dress?

Everyone turns back around and looks Andrew with severely annoyed expressions on their face. Duke looks the angriest of them all.

Andrew: Uh… Hey guys. What’s up?

They promptly rip him to shreds like he’s Scar after the hyenas turn on him.

The End

SCRIPT: Spy Movie

The following short screenplay was written for my freshman theatre class when I was 15 years old. It is a spoof of a James Bond movie with two female agents played by Betsey and her friend whose fake name has yet to be decided. For whatever reason, their names are Secret Agent Dorian Gray 135 and Clyde. You can guess which one of us was taking this whole writing thing seriously and which one wasn’t.

Some of these jokes are insiders from when we used to have sleepovers at my house, sneak out, and walk down to the lake after my parents went to bed. It’s possible some of them many not make any sense whatsoever. Regardless, it’s just something fun I wrote once. It also features the origin story of the The Island of Lost Guys!

I hope you enjoy the show!

….

……..

……………

BETSEY’S SPY MOVIE

A FILM BY BETSEY HORTON

2004

 

THE PERSONS OF THE PLAY

DORIAN GREY, Secret Agent Number 135
CLYDE, Her Clueless Sidekick
V, Their Boss
AGNES, Her Secretary
K, Supplier of Helpful Gadgets
NATALIA, a Contact in Venice
DAMIEN, Sexy CIA Agent
JAMES, Leader of an Evil Organization Hellbent on World Domination
EMILY CASSADINE, United States Secretary of State
THE GUYS, Inhabitants of a Mysterious Island

 

SCENE I

[Fade in to the image of two girls sitting on a beach, lounging in chairs. One is dressed in a black dress, leather jacket, and black shoes. She is holding a gun in one hand and a martini in the other. She has a cigarette in her mouth. She is Secret Agent Dorian Gray 135. The other is wearing boxer shorts, a tank top, knee socks, flip flops, a ratty blanket as a cape, and a top hat. She is holding a shot gun in one hand and a can of Sprite in the other. She is Clyde.]

DORIAN
[sips drink] I’m so glad we decided to come to Barcelona for vacation. I just love the beach!

CLYDE
[in an American accent] But we’re not in Barcelona. We’re in Lake Barcroft.

DORIAN
[smacks CLYDE upside head] Oi! Shut up! We’re filming!

CLYDE
Oh, right. [in a British accent] I love the beach as well. Especially here in Poland.

DORIAN
We’re in Spain.

CLYDE
Same country.

[DORIAN’S cellphone rings]

DORIAN
[sighs and picks up phone] Hello? … No, I did not order any pizza. No… I don’t even like anchovies!

CLYDE
I do!

DORIAN
Shut up! [into phone] No… No! I’m not even in the—No, this is not a deli—who is this? … No! I’m- oi! [hangs up phone] Damn Americans.

CLYDE
Who was that?

DORIAN
Some idiot in America. He was trying to get a hold of some deli.

CLYDE
Ohhh… did he have a name?

DORIAN
No. I asked him and he started talking about Pokemon.

CLYDE
Right…

[DORIAN’S phone rings again. She picks it up, furious.]

DORIAN
Damn it, I told you this isn’t a—Hello? … Yes ma’am! … But, ma’am, we just got here! … Yes I understand. … We’ll be there shortly. [hangs up phone and gets up]

CLYDE
Who was that?

DORIAN
That was V. She wants us back at MI9 as soon as possible.

CLYDE
Did she say why?

DORIAN
She has another mission for us.

CLYDE
Ooh yay! I hope we get to go to Liechtenstein this time!

SCENE II

[Cut to shot of DORIAN and CLYDE entering an office. A young woman with light hair is sitting at a desk typing while chewing gum in a loud manner.]

DORIAN
Hello Agnes.

AGNES
[in a ditzy voice] Hi!

DORIAN
How are you?

AGNES
Oh I’m good. [blows a bubble with gum] I have a date with a guy tonight and he’s totally fine! Like, seriously. He’s so hot and we’re gonna go kick back at his place and watch a movie!

DORIAN
[sarcastically] How fun.

AGNES
Totally! [picks up phone] V will see you now.

[DORIAN and CLYDE enter V’s office. It is filled with highly classified documents and many big books on law.]

V
Good day, ladies.

DORIAN
Hello, V. I see you’ve dug out your textbooks from Harvard.

V
Very funny, 135. Onto more serious matters. What do you know about a woman named Emily Cassadine?

DORIAN
Current United States Secretary of State—democrat, recently appointed, very popular for her peace policies but also common target for assassination. Why do you ask?

V
She was last seen this morning leaving for work by her husband Jason. However, she never arrived at her office. An email message was later delivered to the president informing him of Cassadine’s abduction along with the demand for one hundred million dollars in ransom and to call off the Peace conference that is to be held in Venice next week.

CLYDE
That’s a lot of money.

DORIAN
What do you want us to do?

V
Get her back of course! You are to leave for Venice tonight. K is waiting for you to give you your supplies. Good luck.

SCENE III

[Cut to shot of Dorian, Clyde, and K standing around a black car in a garage.]

K
This is your car. It has all the usual features to it, as you very well know, 135.

[DORIAN grins innocently]

K
Rocket launcher, ejection seats, bullet and shatter-proof windows, et cetera.

DORIAN
Don’t worry, K! You can trust us! We got out of our last mission all in one piece, didn’t we?

K
You did, but my car certainly didn’t!

DORIAN
That was Clyde’s fault.

CLYDE
Was not.

DORIAN
Was too.

CLYDE
Was not.

DORIAN
Was too!

[they continue bickering as the camera fades out]

SCENE IV

[cut to a shot of a black car pulling up in front of a big white house]

CLYDE
Are you sure this is where we’re staying?

DORIAN
Positive. [Takes cigarette out of his mouth and puts it out. The two walk up to the door. DORIAN knocks. A young lady answers.] Are you Natalia?

NATALIA
And you are?

DORIAN
Gray. Dorian Gray. This is my partner, Clyde.

NATALIA
Oh yes! Please come in! [She looks the pair over] When Agnes asked if you could stay with me, I assumed by your names that you were both, well—

DORIAN
Guys?

NATALIA
Yes, actually.

CLYDE
We did that on purpose. It throws our enemies off.

NATALIA
[smiles as they start walking towards the kitchen] Would you two care for a drink?

CLYDE
Sprite, please!

DORIAN
I’ll have a martini please. Stirred, not shaken.

CLYDE
Isn’t it the other way around?

DORIAN
It was for forty years.

[NATALIA hands DORIAN and CLYDE glasses. They hear a loud crash and look up.]

CLYDE
What the hell was that?

NATALIA
[smiles] Oh, I forgot to tell you. I hope you don’t mind but I have another guest staying with me. He works for the CIA and is trying to find Cassadine as well.

DORIAN
Oh great. I hate Americans. He’s probably—

[A young man comes into the kitchen carrying a broken glass. He is dressed very casually, in jeans, a sweatshirt, and a backwards baseball cap. DORIAN stares.]

DAMIEN
Sorry, Natalia. I accidentally broke this while I was—

NATALIA
It’s alright. [takes glass] Oh by the way, these are my other guests.

CLYDE
Hi! I’m Clyde!

DAMIEN
Name’s Damien. [reaches out and kisses CLYDE’s hand. CLYDE looks at him in disgust and wipes her hand on her boxers. DAMIAN looks at DORIAN.] And you are?

DORIAN
[smiles wide] Err… I… I’m Gray.

CLYDE
Actually, you’re more like a peach color.

DORIAN
You didn’t let me finish, idiot. [Smiles at DAMIEN again.] I’m Dorian Gray. [Holds out hand and waits for DAMIEN to kiss it. He shakes it instead. DORIAN is annoyed.] Pleased to meet you.

DAMIEN
So you’re from MI9. I thought you two were guys.

CLYDE
We get that a lot.

DORIAN
That won’t be a problem, will it?

DAMIEN
Of course not.

DORIAN
Good. Miss Natalia, would it be possible for me to go to my room? I have an investigation to start.

[NATALIA and DORIAN leave the kitchen. In an effort to impress DAMIEN, DORIAN saunters off but winds up tripping and falling flat on her face. CLYDE laughs, DAMIEN smirks.]

SCENE V

[Cut to a shot of DORIAN sitting at a laptop taking notes. She is wearing glasses. CLYDE is asleep on a chair and snoring loudly. DAMIEN enters quietly.]

DAMIEN
What are you doing?

DORIAN
It seems that Cassadine’s kidnapper is a man named James Magner. He’s the head of a very large international organization. It appears the organization’s main goal is world domination.

DAMIEN
Go figure.

DORIAN
I don’t see why he needs the US Secretary of State to take over the world, but if it floats his boat, whatever.

DAMIEN
It’s simple really. He kidnapped her because she has been making so much progress on world peace. It’s easier to take over the world when it’s in complete chaos than while everyone is united. If everyone is united, a stronger force can rise up and defeat him. While countries are at war, he can take them over one at a time.

DORIAN
[Looks at DAMIEN admiringly.] Makes enough sense, I suppose.

DAMIEN
I found out he’s going to be at that fancy dress party Miss Natalia is going to this evening. I was going to go alone but you and Clyde may accompany me if you so desire.

DORIAN
[raises eyebrows] How did you find this out?

DAMIEN
[smirks] I have my ways.

DORIAN
[looks at sleeping CLYDE] Oi! Clyde! We’re going undercover! Wake up! [shakes CLYDE awake]

CLYDE
[sleepily] Hmm…? What is it?

DORIAN
We’re going out.

DAMIEN
She’s not going dressed like that, is she?

CLYDE
Going where? Where are we going?

DORIAN
Of course she’s not. I’m going to make her look semi-decent for once.

DAMIEN
Just checking.

[DORIAN and CLYDE look at DAMIEN expectantly. He leaves quickly.]

DORIAN
[looks at CLYDE rubs hands together evilly] Now…

SCENE VI

[Cut to shot of DORIAN, CLYDE, and DAMIEN entering a party. DORIAN and CLYDE are both wearing beautiful dresses while DAMIEN is in a suit. A waiter walks up to the trio and the three take drinks from the tray.]

CLYDE
[sipping drink] This stuff is really nasty.

DORIAN
It’s white wine. What did you expect?

CLYDE
Something better?

DAMIEN
I like it.

DORIAN
Well, your opinion doesn’t matter. Now, Clyde, what’s your name again?

CLYDE
Err… Clyde… durr… you just said it, silly.

DORIAN
Your OTHER name, CLYDE.

CLYDE
Oh right. Mai. And you are Betsey.

DORIAN
Very good. [surveys room] Now, where are you, Magner?

DAMIEN
IF I may interrupt—

DORIAN
No, you may not. [lets go of DAMIEN’s arm. CLYDE follows suit.] Excuse us, but we have work to do. [Turns and promptly runs into a young man with spiky, bleach-blonde hair.] Excuse me, sir.

JAMES
It’s quite alright, Miss. It was my fault entirely.

[They smile at one another flirtatiously.]

CLYDE
[To DAMIEN] During our missions, “Betsey” always manages to find herself a guy to… how do you say… play with.

DAMIEN
[raises eyebrow] Really?

CLYDE
Yeah. I really don’t know what happens to them. They just suddenly vanish once the mission is over. It’s so weird. It’s like she ships them all to a remote island and leaves them there.

DAMIEN
Is that true?

CLYDE
Nah.

[Cut to shot of a group of guys talking to each other on the beach]

GUY 1
So where did you meet Dorian?

GUY 2
In Madrid. It was the best two weeks of my entire life.

GUY 3
Two weeks?! I only had three days in Paris!

GUY 4
I got a week in Tokyo.

GUY 5
Ten days. Hong Kong.

GUY 6
I was with her for five days in Moscow.

GUY 1
Oh… [looks away] Mine was one day in Ontario.

GUY 2
But that’s in Canada.

GUY 3
What was she doing in Canada?

GUY 4
Canada doesn’t have anyone worthy of being kidnapped or assassinated or anything of value to be taken. It’s just there!

GUY 5
It’s like the 51st State!

GUY 1
Maybe she was on vacation!

GUY 6
In Canada?

GUY 1
Good point…

[Cut back to shot of CLYDE and DAMIEN, who snickers]

CLYDE
What is it?

DAMIEN
She’s hitting on James Magner.

CLYDE
That’s him? Ew… I thought he was old.

DAMIEN
Nope.

CLYDE
He’s got a funny looking head.

[cut back to DORIAN and JAMES]

JAMES
May I ask your name, Miss?

DORIAN
Gr—err—Betsey.

JAMES
Just Betsey?

DORIAN
[smiles] For now.

JAMES
The name’s James Magner. Maybe you’ve heard of me.

DORIAN
Oh yes. You’re one of the richest men in the world right now.

JAMES
Yes… well… I try.

[cut back to CLYDE and DAMIEN]

CLYDE
Be happy it isn’t you.

DAMIEN
Uh… yeah… [looks on with a faint expression of jealousy on his face]

[DAMIEN and CLYDE watch as DORIAN and JAMES continue flirting for a few more minutes. JAMES murmurs something to DORIAN and she gasps. He promptly leaves the room. DORIAN starts to follow. CLYDE and DAMIEN follow too. Cut to shot of DORIAN, CLYDE, and DAMIEN all running down a staircase.]

CLYDE
What’s going on Dorian?

DORIAN
We have to catch Magner! There’s no doubt in my mind now that he’s the one behind this!

DAMIEN
How could you tell?

DORIAN
Did you see that hair?

[The trio runs into a parking garage and watch as a white car speeds off.]

DORIAN
Why do they always run?

[DORIAN and CLYDE rush to their car and hop in before DAMIEN realizes what’s happening. They leave without him.]

DAMIEN
Hey! Where are you going?

[Cut to shot of DORIAN and CLYDE inside the car. CLYDE looks in the rearview mirror and sees DAMIEN running after them.]

CLYDE
Hey, Dorian, we left Damien behind.

DORIAN
And your point is, what, exactly?

[Cut to scene of car chase. After failing to catch JAMES, the two tired agents return to NATALIA’s to find DAMIEN waiting for them with a sour expression.]

DAMIEN
Why did you leave me behind?

DORIAN
[glares at DAMIEN] Now listen here, buddy boy, let’s get one thing straight. This is Clyde and I’s assignment, not yours. We are not partners, not friends, and certainly not lovers, nor will we ever be. So stop harassing me just because you don’t have your own damn car. I’m tired, my feet hurt from running in heels, and unless you want to get shot, I highly recommend that you stay the hell away from me until further notice. Now get out of my way!

[DAMIEN stares at DORIAN in amazement but moves aside quickly. CLYDE looks at him, shrugs, follows.]

SCENE VII

[Cut to shot of DORIAN walking into the kitchen later that night. She is wearing a red silk kimono and fuzzy slippers. She looks at the clock, which reads 3:20am, and yawns, then pulls out a wine glass and a bottle of red wine from the cupboard. She is unaware that she is being watched by DAMIEN.]

DAMIEN
I thought you didn’t like wine.

[DORIAN jumps, drops wine glass on the floor, then pulls out her gun and points it at DAMIEN.]

DORIAN
It would do you well not to startle me. Next time I might actually shoot you.

DAMIEN
[smiles] I find that highly unlikely.

[DAMIEN walks toward DORIAN, who puts her gun away and reaches for a broom to clean up the mess.]

DORIAN
Don’t count on it, buddy boy.

DAMIEN
Let me get that for you. [He reaches for the broom. Their eyes lock.]

SCENE VIII

[Cut to shot of DORIAN, CLYDE, DAMIEN, and NATALIA in the kitchen the next morning. CLYDE is doing a maze on the back of her cereal box, NATALIA is making coffee, DORIAN is staring at her laptop screen, and DAMIEN is watching DORIAN. DORIAN looks up at DAMIEN and smiles at him, then looks away and goes back to staring at laptop while tapping keys on the keyboard.]

DORIAN
Dammit!

CLYDE
[looks up] Did you figure out where Magner is hiding yet?

DAMIEN
[walks over to DORIAN and peers at her laptop] Actually, she just lost Tetris.

DORIAN
Go away. [shoves DAMIEN, who won’t move. DORIAN gets annoyed and pulls out her gun.]

DAMIEN
[smirks] Put the gun away, D. You’re not gonna shoot me.

DORIAN
Don’t call me D. [Fires gun. NATALIA screams, CLYDE yawns and continues her maze without looking up. DORIAN goes back to playing Tetris. DAMIEN suddenly leaps up from the floor and looks around wildly.]

CLYDE
[sill not looking up] She doesn’t keep her gun loaded in the morning.

DORIAN
[loans gun] I do now. [Points it at DAMIEN.] Anymore stupid questions?

DAMIEN
Nope. [sits down]

CLYDE
She’s not a morning person.

DORIAN
Shut up, Clyde.

NATALIA
[rushing to serve DORIAN a cup of coffee] When are you going to go after Magner?

DORIAN
[Still playing Tetris.] Well—

DAMIEN
Magner has a meeting tonight with one of his associates at that little park a few miles away. You should do it then.

CLYDE
Seriously, dude. Where do you find this stuff out?

DAMIEN
I have my ways.

DORIAN
[loses Tetris again] Dammit!

CLYDE
[looks at DAMIEN] Dude, don’t even worry about it.

SCENE IX

[Cut to shot of DORIAN and CLYDE hiding behind some trees.]

CLYDE
Where are they? Damien said they’d be here by now.

DORIAN
Well, one thing’s for sure. We’re never listening to him again. Stupid man.

CLYDE
[grins] I knew it!

DORIAN
What?

CLYDE
You did it with him, didn’t you?

DORIAN
Ugh. Don’t even REMIND me!

CLYDE
That bad, huh?

DORIAN
Yeah.

BOTH
He’s too lanky.

[Suddenly they hear two male voices talking. They draw their guns and peak out from behind the tree. They see two men standing on a bridge talking.]

DORIAN
That’s them.

CLYDE
Are you sure?

DORIAN
Yes I’m sure.

CLYDE
Are you sure you’re sure?

DORIAN
Shut up, Clyde.

[They notice one of the men is gone.]

CLYDE
What the—

[CLYDE is hit from behind and knocked out. DORIAN, but before she can turn around she is knocked out as well.]

SCENE X

[Cut to shot of DORIAN and CLYDE tied up in an empty room. DORIAN comes to and kicks CLYDE.]

DORIAN
Oi! Wake up!

CLYDE
[sleepily] But mommy, I don’t want to go to school today…

DORIAN
Clyde!

CLYDE
I want to stay home and bake cookies with you…

DORIAN
CLYDE!

[CLYDE wakes with a start]

CLYDE
GOD SAVE THE QUEEN! [looks at DORIAN] Oh hi, D.

DORIAN
Don’t call me D!

CLYDE
Where are we?

DORIAN
We’re been captured, you moron.

CLYDE
By who?

JAMES
[enters room] By me!

DORIAN
Oh great, it’s Hair Boy.

JAMES
Silence! I bet you—

DORIAN
Oh great. Let me guess. You’re going to ramble on for twenty minutes about your great master plan to take over the world. Damien is going to come in and reveal that he was working for you the entire time. You’ll leave us in some unnecessarily complex death trap which we will narrowly escape from, instead of shooting us on the spot like you should. While you and Damien are escaping with your money and Secretary Cassadine, Clyde and I will kill all of your henchmen, sneak onto whatever transportation craft you’re using, be it a ship, plane, or submarine, kill more of your henchmen, and then split up. While she goes to free Secretary Cassadine, I take off to go kill you and run into Damien. I am supposed to feel betrayed by him since we did have that little fling, but I’ll knock him out quickly enough while he’s ranting about power. I will then find you, leave you tied to something, and take back all the money. All the while, Clyde will be setting explosives up around the craft. Then we’ll escape with Secretary Cassadine and the money, then sail/fly/drive off and watch your craft explode from a distance. After being rewarded greatly, we will return to Barcelona to finish our vacation that you so rudely interrupted.

CLYDE
So if I was you, I’d just surrender right now and save us the trouble. Especially since Dorian is wearing heels and her feet already have blisters from the other night. I myself am wearing flip flips, and, let’s face it; your resistance is pretty much futile.

[DAMIEN walks in]

DAMIEN
Ha! I bet you weren’t expecting me to be behind this, were you, Gray?

JAMES
Well, uh… actually.

DORIAN
[Suddenly pulls free from her bonds] Actually I was.

DAMIEN
How did you do that?

DORIAN
I’m a Secret Agent. I work in mysterious ways that nobody but myself can figure out. [frees CLYDE, walks up to DAMIEN, who is standing there in shock, and takes his gun. CLYDE does the same with JAMES and they simultaneously point their guns at their respective captors.]

CLYDE
Do you surrender?

JAMES
I knew it was a stupid plan! That is the last time I listen to you, Damien.

DAMIEN
Damn you, Gray! You’re supposed to feel betrayed and be angry with me! I gave you—

DORIAN
Your ego is too big for your own good, Damien. [pulls out a magnifying glass] Next time it gets the better of you, use this.

DAMIAN
I AM OFFENDED!

DORIAN
Lovely. Then you won’t mind if I tie you up?

JAMES
I think we should go through with the escape and fights and unnecessary deathtraps anyways.

[DORIAN and CLYDE look at each other]

BOTH
Nah.

CLYDE
Besides, the writer got lazy.

[DORIAN looks away innocently.]

CLYDE
And we wouldn’t want to waste the director’s valuable time and money.

JAMES
I guess you’re right.

[JAMES and DAMIEN surrender.]

SCENE XII

[Cut to shot of DORIAN and CLYDE standing in V’s office with the Secretary of State, EMILY CASSADINE]

EMILY
Thank you so much for your bravery and hard work, agents.

V
Yes, I must admit your tactics were most impressive.

EMILY
I can’t thank you enough for saving me!

DORIAN
It was nothing. Really.

CLYDE
And we do mean nothing. [DORIAN elbows CLYDE.] Ow.

DORIAN
With your permission, V, we’d like to return to Barcelona.

V
Of course!

EMILY
By the way, I was wondering… Damien wasn’t brought into custody with Magner. What happened to him?

DORIAN
Oh… I sent him to a place where he won’t be a threat to anybody.

[Cut to shot of DAMIEN sitting on the beach with THE GUYS]

DAMIEN
Venice. Six days.

GUYS
Nice.

SCENE XIII

[Cut to shot of DORIAN and CLYDE sitting on a beach.]

DORIAN
I love it here in Spain.

CLYDE
[sighs] Yeah, it’s so nice to be here in Sydney.

DORIAN
I thought it was Poland?

[Camera fades out. Caption reads “THE END.” Credits roll.]